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When we are comfortable with our choices we have a better chance of belonging in a meaningful manner to a group, community or society.In this collection ‘Belonging in our Society’, therefore, ‘Strictly Ballroom’ and the extract from ‘Slow cycle’ successfully address the implications of rebellion and self-expression on an individual’s ability to comfortably belong while maintaining identity.‘Strictly Ballroom’ successfully creates humour by satirising aspects of the ballroom dancing world, showing the restrictions placed on the individual’s desire for self-expression and individuality.By now we see the original images of the dancing silhouettes as superficial.
As individuals, we struggle against the oppression of others who insist we blindly follow expected ways of behaving and belonging.
The opening scene highlights a fantasy world, depicting silhouettes of ballroom dancers gracefully dancing to the famous waltz, ‘The Blue Danube’, followed by images of the glitzy and glamorous dancers in their brilliant costumes.
It is a world the audience is set up to admire: we would all would like to belong to it. The crosscutting to the interviews at the beginning of the film surprises the audience, sending up the content of the interview and the exaggerated seriousness of the characters’ approach to ballroom dancing.
Close-ups of Scott’s softly lit face show his sense of enlightenment and desire to connect with the values of the Spanish community.
Ya Ya taps Scott’s gut and chest, mimicking the rhythm of the heartbeat, illustrating Scott’s realisation of where the real rhythm should come from.