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Even being passive and evasive let's the reader know who you are. For this reason, Orwell attacked clichés and vague language.He asks writers never to use clichés and metaphors they've seen elsewhere in print.George Orwell didn't become well-known as a writer, nor financially successful, until the final five years of his short life.
With the result that writing is made to seem boring and pointless. Dickens himself would be more interested in an essay about color or baseball. To answer that we have to go back almost a thousand years.
Around 1100, Europe at last began to catch its breath after centuries of chaos, and once they had the luxury of curiosity they rediscovered what we call "the classics." The effect was rather as if we were visited by beings from another solar system.
I've read his essays over and over, and have always found them to be exemplars of great substance combined with unrivaled prose style.
He’s also an inspirational hero of mine for the ways he used his writing to advocate for social justice.
These earlier civilizations were so much more sophisticated that for the next several centuries the main work of European scholars, in almost every field, was to assimilate what they knew.
During this period the study of ancient texts acquired great prestige. As European scholarship gained momentum it became less and less important; by 1350 someone who wanted to learn about science could find better teachers than Aristotle in his own era. In the 19th century the study of ancient texts was still the backbone of the curriculum.
As he explained in "Politics and the English Language": "What is above all needed is to let the meaning choose the word, and not the other way about . Again, thinking and seeing clearly must be a prerequisite to all good writing.
The first goal of good writing, according to Orwell, is to be understood.
"My starting point is always a feeling of partisanship, a sense of injustice," he explained in "Why I Write." Orwell believed that there was more bad writing than good: "Vagueness and sheer incompetence is the most marked characteristic of modern English prose," he bemoaned in his classic 1946 essay "Politics and the English Language." Orwell offers a number of recommendation to think and write clearly.
For example, he said writers should always prefer the active voice over the passive.