Dissertations Abstracts International Online

Dissertations Abstracts International Online-44
Always a subject of fascination, this would help me whittle away half an hour of journey time as I weaved onwards towards the motorway.The programme included Sam Pate and Ron Mc Alister’s famous on the scene radio broadcast from KBOX in Dallas, reporting live on the Kennedy shooting (although its authenticity as a live ‘breaking news’ story is disputed by conspiracy theorists), This was the same recording that had been employed so effectively on Steinski & The Mass Media’s cut ‘n’ paste masterpiece ‘The Motorcade Sped On’, presumably sourced from the LP ‘Four Days Than Shocked The World: November 22-25’, with additional sound bites from Walter Cronkite, Ike Pappas, Ed Mc Mahon and JFK himself.

Always a subject of fascination, this would help me whittle away half an hour of journey time as I weaved onwards towards the motorway.The programme included Sam Pate and Ron Mc Alister’s famous on the scene radio broadcast from KBOX in Dallas, reporting live on the Kennedy shooting (although its authenticity as a live ‘breaking news’ story is disputed by conspiracy theorists), This was the same recording that had been employed so effectively on Steinski & The Mass Media’s cut ‘n’ paste masterpiece ‘The Motorcade Sped On’, presumably sourced from the LP ‘Four Days Than Shocked The World: November 22-25’, with additional sound bites from Walter Cronkite, Ike Pappas, Ed Mc Mahon and JFK himself.This isn’t a new idea, but something that’s always been known, since the very dawn of discovery – we just need to re-connect with this elemental wisdom, harnessing the current technology to take us to the next phase, wherever that might be. : A Remix Manifesto, Rockers Revenge, Roller Disco, Ron Mc Alister, Ruthless Rap Assassins, Sam Pate, Ser & Duff, Shep Pettibone, Soul Sonic Force, Southport Weekender, Spin Inn, Stars On 45, Steinski, Steve Miller Band, Steve Stein, Street Sounds, Swing Out Sister, Syncbeat, Tee Scott, The B Boys, The History Of Hip-Hop Mix, The James Brown Mix, The Jonzun Crew, The Mass Media, The Motorcade Sped On, The Payoff Mix, The Supremes, Time Zone, Tommy Boy, UK Electro, Village People, Vintertainment Records, Walter Cronkite, Was (Not Was), Wax Poetics, What Does It All Mean?

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As I navigated the winding country lanes on my way to the M5 from Minehead, where I’d been playing the Sunday night 1.00am-3.00am closing slot / graveyard shift at the inaugural ‘House Of Fun’ weekender, I was pleased to discover that there was a programme on the radio about the JFK assassination 48 years ago in 1963.

Today it might be Girl Talk who’s the name on everyone’s lips Stateside, but the new breed of mash-up maestro owes much to Steinski, and Double Dee, and all those who subsequently evolved the form. : A Remix Manifesto’, a documentary film made in 2008 by Canadian Brett Gaylor, was illuminating and thought provoking, touching on the same issues highlighted by the previous year’s ‘Good Copy Bad Copy’, and the current online 4 part video series ‘Everything Is A Remix’, which I blogged about back in September: Emphasizing how, in the Western world, innovation is being continually stifled by commerce, which controls culture for its own financial gain under the banner of ‘intellectual property’, ‘Ri P! To be of true value it must connect subjectively, for this isn’t just head stuff, it needs to somehow touch the emotions for it to properly register.

: A Remix Manifesto’ outlines a quartet of central tenets: 1. If you want to enthuse a younger generation of people to explore further, this information should be packaged and presented in a way that has context in the times in which we live, so it helps join the dots between then and now, as Steinski did so ingeniously by using the Hip Hop medium to relay one of the key moments of recent history – the assassination of John F. This is why Remix, Cut ‘n’ Paste, Mash-Up and Edit are tools for invention and advancement, helping create that past / present fusion that is key to moving things forward. :_A_Remix_Manifesto Double Dee & Steinski Wikipedia: A Certain Ratio, Afrika Bambaataa, Andy Connell, Aretha Franklin, Big Apple Production Vol 1, Bits & Pieces III, Bobby O, Bomb The Bass, Brett Gaylor, Broken Glass, C. D, Casablanca, Coldcut, Craig Bevan, Culture Club, Cut ‘n’ Paste, Dallas, Dan Smith, Danny Krivit, Deep Space, Disconet, Divine, Double Dee, Ed Mc Mahon, Edit, Electro-Funk, Eno & Byrne, Everything is a Remix, Fiddz, Fiorello La Guardia, Forevereaction, Four Days Than Shocked The World: November 22-25, François Kevorkian, Girl Talk, Good Copy Bad Copy, Greg Wilson, Harry Taylor, House Of Fun Weekender, Howard Johnson, Humphrey Bogart, Ike Pappas, Illegal Art, intellectual property, Jaap Eggermont, Jellybean Benitez, JFK assassination, John F.

I had an email contact for Steinski, although I’d never previously corresponded with him, so I dropped him a line, ahead of my first trip to New York, to see if he had a contact for Craig, but I never heard anything back.

I must have added his email to my promo list as, the following year, he got in touch to say that he’d enjoyed a piece I’d written about Danny Krivit, and his Roller Disco legacy, as well as the interview I did with Norman Cook for the electrofunkroots website.

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