Best University For English With Creative Writing

It examines the circumstances of publication, the nature of the controversy, and the cultural and critical impact of each work.The course shows how poems, plays and novels can raise searching questions about national, racial and personal identity, and looks at the methods used by writers to challenge their readers, as well the responses of readers to such challenges.

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It is completed on-line via My Aberdeen with clear instructions to guide you through it.

If you pass the evaluation at the first assessment it will not take much of your time.

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The course takes approximately 3 hours to complete and can be taken in one sitting, or spread across a number of weeks and it will be available to you throughout the academic year.

This course, which is prescribed for level 1 students and optional for level 2 students and above, is studied entirely online and covers topics relating to careers and employability, equality and diversity and health, safety and wellbeing.

From doubling to degeneration, madness to the metropolis, villain to vampire, empire to the threat of extinction, we examine the work of writers such as Mary Shelley, Dickens, Poe, Charlotte and Emily Brontë, Wilkie Collins, George Eliot, Bram Stoker and H. You will learn about the key writers of this period, the issues that sparked their imaginations, and the literary strategies which they adopted, or at times invented, to express their response to the changing world around them.

This course is delivered through a combination of lectures and seminars.

You’ll study poetry and prose through the dynamic relationship between author, reader and literary text, every period from Chaucer, Shakespeare and Milton to contemporary English, Scottish, Irish, European and American writing, and the cultural and critical impact of powerful and controversial modern works.

Your Creative Writing studies will develop your understanding of - and practical skills in - the writing of prose fiction, poetry and creative non-fiction.

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