Amnesty International An Margaret Atwood Thesis

Amnesty International An Margaret Atwood Thesis-61
By juxtaposing the artificiality of language and the constructive quality of art in general with nature Atwood comments on the arbitrariness of man’s life in regards to such genuine concepts as love and literature.

By juxtaposing the artificiality of language and the constructive quality of art in general with nature Atwood comments on the arbitrariness of man’s life in regards to such genuine concepts as love and literature.

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Of the other major influences on Atwood’s literary career was the work of the Romantic poet, William Blake, whom she took an interest in through her teacher, the renowned critic and literary scholar Northrop Frye at the time she was doing undergraduate work at University of Toronto.

The influence of William Blake marks Atwood’s first collection of verse, (1961) which also sets the tone and theme for the rest of her poetry.

Aside from her writing career, Sullivan has worked with Amnesty International since 1979, and in 1980 she founded a congress to aid its activities.

by Manijeh Mannani Best known for her novels, Margaret Atwood is recognized as one of Canada’s most prominent and prolific contemporary writers.

Imagery associated with natural phenomena like fire and water are accentuated through drawings accompanying the poems and contrasted, at the same time, with images pertaining to architecture, art, and design as aspects of civilization.

Simultaneously, in this collection of poems, forces of nature and the unconscious giving rise to creative arts are being perpetually juxtaposed with the clearly defined, logical images arising from man’s approaches in conquering nature.This subtle connection between man and nature can be seen in the following lines from the title poem: "the trees and rocks are the same / as they are here, but shifted./ Those who live there are always hungry." Moreover, as the poem continues, it is eventually "from them [that] you can learn / wisdom and great power, / if you can descend and return safely.” As its title suggests, in her next collection of verse, (1971), Atwood commits herself primarily to the elucidation of the nature of relationship between the sexes and the definitions of roles pertaining to men and women, in both the personal and public realms of interaction.In 1987 Sullivan began writing a biography of Elizabeth Smart, By Heart, which was published in 1991 by Penguin Books.Sullivan realized that she had a passion for biographies.Two years later she was hired at the University of Victoria, and then in 1977 at the University of Toronto, where she taught until her retirement.In 1978, she decided to dedicate herself to her writing, while still teaching. Sullivan's first collection of poems, The Space a Name Makes, was awarded the Gerald Lampert Award for the best first book of poetry published in Canada in 1968.In (1970) the power of the unconscious to shape the persona is taken to an unprecedented level.In a general sense, all Atwood’s poems deal with a search for identity in different levels and in this collection, the nature of the supernatural connection between man and nature and "the artist as a shamanistic figure" (Hönnighausen 105) give further rise to this quest.Conflict, in general, constitutes the backbone of most of Atwood’s poetry and in it extends to the contention that exists between genders, art and nature, and Canadians as a distinct nation vis-à-vis other people among other binary oppositions.The highly metaphoric use of language in most of the poems in this collection, but most notably in poems like "Playing Cards" and "An Attempted Solution for Chess Problems" highlight the limitations mankind sets for himself in his interaction with the world in the same way laws and regulations governing children’s games are restricted to the games and not applicable to the real world, outside.

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